|526 records in our database; 12 in Music with author name of S*.||Back to main category index|
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Samuels, Robert; "Music as text: Mahler, Schumann and issues in analysis" . In Theory, analysis and meaning in music, pp. 152-163. New York: : Cambridge Univ. Press
Scarborough, Don L.; and Manolios, Peter; Jones, Jacqueline A.; "MusicSoar: Soar as an architecture for music cognition" . In Proceedings of the fourteenth annual conference of the Cognitive Science Society, pp. 1104-1109. Edited by John K. Kruschke . Hillsdale, NJ: Erlbaum
Schmuckler, Mark A.; and Boltz, Marilyn; "Harmonic and rhythmic influences on musical expectancy" , Perception & psychophysics 56, no. 3 pp. 313-325.
Seifert, Uwe; " Cognitive Science - A New Research Program for Musicology" , Interface 21 pp. 219-238.
Selfridge-Field, Eleanor; "Understanding Music with AI: Minds and Machines: Journal for AI, Philosophy, and Cognitive Science" , Notes: Quarterly Journal of the Music Library Association 51:1 p. 168.Special issue on Music and Cognition], ed. Lelio Camilleri
Shaffer, L. Henry; "Cognition and affect in musical performance" , Contemporary music review vol. 4 pp. 381-390.In: Music and the cognitive sciences. Chur, Switzerland: Harwood, 1989.
Sorensen, Per K.; "Cultural cognition in music: Continuity and change in the gurung music of Nepal (review)" , The world of music: Journal of the International Institute for Traditional Music 36, no. 1 pp. p. 108-110.
Stockhausen, Karlheinz; "How Time Passes" , Die Reihe 3 pp. 10-40.
Stoffer, Thomas H; "Music and mind: Philosophical essays on the cognition and meaning of music (review)" , Neue Zeitschrift fur Musik vol. 152, no. 5 pp. 58-9.In German.
Stratton, Valerie N.; and Zalanowski, Annette H.; "The interfering effects of music with imagery" , Imagination, cognition and personality vol. 11, no. 4 pp. p. 381-388.
Stratton, , Valerie N.; and Zalanowski, Annette H.; "The effects of music and cognition on mood" , Psychology of music vol. 19, no. 2 pp. 121-127.
Stroppa, Marco; "Musical information organisms: An approach to composition" , Contemporary music review vol. 4 pp. 131-164.In: Music and the cognitive sciences. Chur, Switzerland: Harwood, 1989.
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