|526 records in our database; 21 in Music with author name of C*.||Back to main category index|
A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z
Camilleri, Lelio; "On music perception and cognition: Modularity, structure, and processing" , Minds and machines: Journal for artificial intelligence, philosophy, and cognitive science vol. 2, no. 4 pp. 365-377.
Camilleri, Lelio; "A modular approach to music cognition" , Interface: Journal of new music research vol. 18, no. 1-2 pp. 33-44.
Campbell, Mark Robin; "Musical learning and the development of psychological processes in perception and cognition" , Bulletin of the Council for Research in Music Education no. 107 pp. 35-48.
Camurri, Antonio: Frixione, Marcello: Innocenti, Carlo; "A Cognitive Model and a Knowledge Representation System for Music and Multimedia" , Journal of New Music Research 23:4 pp. 317-348.
Chalmers, John H., reviewer; "Review of Cognitive foundations of musical pitch, by Carol Krumhansl " , Leonardo 25 no2 pp. 221-3.
Chalmers, John H; "Review of 'The Cognitive Foundations of Musical Pitch'" , The Britich Journal of Aesthetics 32 pp. 191-200.
Chouvel, Jean-Marc; "Musical form: From a model of hearing to an analytic procedure" , Interface: Journal of new music research vol. 22, no. 2 pp. 99-117.
Clarke, Eric F.; Ed. by Emmerson, Simon; Music, mind and structure: Second Conference on Science and Music, London, 1987 , Chur, Switzerland: Harwood
Clarke, Eric F.; "Improvisation, cognition and education" . In Companion to contemporary musical thought, pp. 787-802. London and New York: Routledge,
Clarke, Eric F.; "Issues in language and music" , Contemporary music review vol. 4 pp. 9-22.In: Music and the cognitive sciences. Chur, Switzerland: Harwood, 1989
Clarke, David Ian; "Structural, cognitive and semiotic aspects of the musical present" , Contemporary music review vol. 3 pp. 111-132.In: Music and the cognitive sciences. Chur, Switzerland: Harwood, 1989
Cohen, Dalia: Granot, Roni: Pratt, Hillel; "Cognitive Meanings of Musical Elements as Disclosed by Event-Related Potential (ERP) and Verbal Experiments " , Music Perception 11:2 pp. 153-184.
Cohen, Dalia; Erez, Avner; "Event-related-potential measurements of cognitive components in response to pitch patterns" , Music perception vol. 8, no. 4 pp. 405-430.
Cohen, A; "Review of 'Cognitive Bases of Musical Communication' " , Psychomusicology: A Journal of Research in Music Cognition 12 pp. 84-89.
Cohen, A; "Cognitive Bases of Musical Communication Mari Riess Jonese" , Psychomusicology: A Journal of Research in Music Cognition 12 pp. 84-89.
Cohen, Dalia, Roni Granot, Hillel Pratt, amd Anat Barneah; "Cognitive Meanings of Musical Elements as Disclosed by Event-Related Potential (ERP) and Verbal Experiments," " , Music Perception 11 pp. 153-184.
Cook (and E. Clarke), Nicholas; Empirical Musicology: Aims, Methods, Prospects (Forthcoming) , Oxford: Oxford Clarendon Press
Covington, Kate; and Lord, Charles H.; "Epistemology and procedure in aural training: In search of a unification of music cognitive theory with its applications" , Music theory spectrum vol. 16, no. 2 pp. 159-170.
Cross, Ian, and Irene Deliege; ""Introduction: Cognitive Science and Music - An Overview " , Contemporary Music Review 9 pp. 1-6.
Cross, Ian; "The Chinese music box" , Interface: Journal of new music research vol. 22, no. 2, pp. 165-172.
Cross, Ian; "The European Society for the Cognitive Sciences of Music" , Musikpsychologie: Jahrbuch der Deutschen Gesellschaft fur 9 pp. 191-195.In English.
|Back to main category index|