| 526 records in our database; 16 in Film. | Back to main category index |
Anderson , Joseph D; The Reality of Illusion: An Ecological Approach to Cognitive Film Theory , Carbondale : Southern Illinois University Press
Bordwell , David, and Noel Carroll; Post-Theory , Madison, Wisconsin: University of Wisconsin Press
Bordwell, David; Narration in the Fiction Film , London: Routledge, 1987.
Brannigan, Edward; Narrative Comprehension in Film , London: Routledge, 1992.
Carroll, Noel; Theorizing the Moving Image , Cambridge: Cambridge UP, 1996.
Carroll, Noel; The Philosophy of Horror , London: Routledge, 1990.
Currie, Gregory; Image and Mind: Film, Philosophy, and Cognitive Science , New York and Cambridge: Cambridge University Press, 1995.
Detenber, Benjamin, and Byron Reeves; "A bio-informational theory of emotion: motion and image size > effects on viewers." , Journal of Communication 46 (1996), p. 66f..
Fujii, Toshinobu ; "A cognitive study on urban spatial composition" , Nihon kenchiku Gakkai Keikakukei ronbun hokoku shu = Journal of architecture, planning and environmental engineering 11(489) pp. 161-167.Subtitle: Planning theory on spatial sphere, No. 2. Text in Japanese; includes English summary. Includes bibliographical references.
Grodal, Torben; Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. , Oxford: Clarendon Press
Leibowitz, Flo ; "Agency, Expression, and the Movies" . In Film Theory and Philosophy, p. n/a. Edited by Richard Allen and Murrray Smith. Oxford: Oxford UP"...about expressiveness in movies, and what it may show about expressivness, period. The second half is about the model of expressivness as projection, which is a psychoanalytic notion. (I discuss Wollheim's use of this notion in Painting as An Art). I think movies really wreck the romantic notion of expressiveness as the expression of a single artist's mental state."
Plantinga , Carl, and Greg M. Smith, ; Passionate Views: Thinking about Film and Emotion , Baltimore: Johns Hopkins
Plantinga, Carl.; Rhetoric and Representation in Nonfiction Film , Cambridge : Cambridge University Press
Tan, Ed S; Emotions and the Structure of Narrative Film: Film as An Emotion Machine. , Mahwah, NJ: Lawrence Erlbaum Associates
Warren, Buckland; "Michel Colin and the Psychological Reality of Film Semiology" , Semiotica: Journal of the International Association for Semiotic Studies/Revue de (Semiotica) vol. 107 no. 1-2 pp. 51-79.
Whittock, Trevor; Metaphor and Film , Cambridge: Cambridge UP, 1990.
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